ivy newport

Studioworks

Journal

a letter from ivy

Dear creative friends,

Welcome to Issue No. 66 of the Studioworks Journal. As always, I am deeply grateful for your presence and eager to embark on this journey together. In this issue, we delve into the profound art of observation and the mastery of capturing light and color in our work. As artists, our primary tools are not just brushes and paints, but our ability to see and translate the world around us.

This month, let's challenge ourselves to refine our observational skills, to enhance how we perceive and utilize light and color. These elements are crucial in shaping our artistic voice and elevating our creations. How can we harness these visual tools to not only represent what we see but also to convey what we feel and think? How can we imbue our art with a deeper sense of presence and authenticity?

Join me as we explore these questions and more, pushing the boundaries of our artistic practice to new heights. As part of our exploration, we will draw inspiration from the brilliant works of Joaquín Sorolla, whose light-filled paintings by the sea are profound studies in capturing the essence of light and color. Sorolla’s ability to observe and paint the delicate interplay of sunlight on water and sand offers invaluable lessons on the use of natural light in art. Let his mastery guide us in our own creative endeavors, challenging us to capture the ephemeral and ever-changing light that surrounds us.

xo,

So you may be wondering, where do I start? To that, I say, wherever feels right to you. Each month we will have a theme, a creative affirmation, a power word, a color palette, sketchbook exercises, art projects, articles, recommended reading, and access to wonderful inspiration and resources. I want you to think of this as a delicious new magazine, you know the ones you occasionally splurge on, with soft, velvety pages, beautiful images, and inspiring content!

Each issue will invite you to explore your creative practice in whichever way works for you. Experience each issue at your own pace. Take what resonates with you and put the rest aside for another time.

Grab a cup of something lovely and dive in.

Let's Begin
Monthly Theme
The Spectrum of Expression: Color and Light in Impressionism

There are moments in time when artists begin to see and do things in ways previously unimaginable. Sometimes, the movement begins with an intrepid individual, but often, a collective energy born of a particular era launches artists into a new frontier. The Paris of the 1860s, which gave birth to Impressionism, was just such a time. It was a period of inspiration and shared vision that shaped the course of art history.

The Impressionists changed not only how art was made but why and where. They questioned artistic norms and delighted in painting for feeling, not just aesthetics. In addition, by taking their work outside and letting the ephemeral qualities of the day become integral to their work, they depicted light in revolutionary ways. Join me in exploring how Impressionists demonstrated their renegade spirits and, in so doing, married color and light in innovative ways, capturing fleeting moments by mastering and reimagining their mercurial interplay.

A Seismic Shift in Perspective

The advent of premixed paint and portable art supplies made moving out of the studio and into the world a viable option. Parisian artists such as Monet, Manet, Degas, Cezanne, Pissarro, and Renoir embarked on a personal journey, building on the tradition of en plein aire painting pioneered by British artist John Constable in the early 1800s. However, rather than striving for strict realism, they embraced a new style of brushstroke that entailed applying rapid and broken dabs of paint that captured the continuously changing qualities of natural light. In addition, these artists saw a new path forward that didn’t concede to the strictures of fine art. They wanted to express feeling, mood, and atmosphere and not just strive for physical perfection of visual appearances.

The Boulevard Montmartre on a Winter Morning

By Camille Pissarro, 1897


"Art is not what you see, but what you make others see."
- Edgar Degas

Defying the Paris Salon, the gatekeeper of art in their day, the Impressionists chose to pool resources and create their own show, calling themselves the Anonymous Society of Painters, Sculptors, and Printmakers. Their first exhibition displaying their cutting-edge techniques and attitudes was held in 1874, and it included pieces by Renoir, Cezanne, Degas, Monet, and Renoir. Monet’s work, Impression, Sunrise, inspired critics to call the group the Impressionists derisively. The artists embraced this intended insult and wore the title with pride and defiance. Despite the initially cold reception, the next twelve years would entail seven more exhibits by these avant-garde artists, proving that they were, in fact, making an impression.

Impression, Sunrise

By Claude Monet, 1872

Impressionist Techniques

The Impressionists needed to employ nontraditional methods to capture the energy, lighting, and feeling of a moment. They wanted to depict the world as they saw it, not something idealized in form and perfectly symmetrical. They found a number of ways to achieve this goal, including utilizing looser brushwork, employing lighter colors, abandoning mathematical perspective, and rejecting clarity of form.

To accomplish this, these artists emphasized atmosphere, color palettes, and emerging scientific discoveries about how the human eye processes color. For example, they favored opaque colors, employing the direct method, thereby getting the light from the paint itself, not from the background. They also chose a limited palette to emphasize harmony and union in their paintings.

Furthermore, to capture the mood of a moment outdoors, they leaned into the alla prima approach, which meant finishing a painting in one sitting using the mass shapes in the scene, bold brushstrokes, and plenty of paint. This enabled them to capture scenes that were rapidly shifting with the changing of the light, imbuing the pieces with energy and spontaneity.

The Skiff

By Pierre-Auguste Renoir, 1875

Path in the Wheat fields

By Claude Monet, 1882

They also utilized the new understanding that the tone of shadows is cool and blue is superior to black in depicting them. Rounding out this process, they leaned into the emerging science of optical mixing, recognizing how our eyes blend colors that appear next to one another and using this to increase luminosity and vibrance in their pieces by juxtaposing small brushstrokes of pure color without physically blending them.

The Takeaway

Sometimes, as artists, we must take the helm and do things the world tells us we can’t. By following our gut and bravely exploring the limits of color and light, we can make discoveries and create art that is both fun and beautiful. These are valuable lessons we can glean from the greats.

For the Impressionists, modernity was changing the very face of the world they inhabited. In bold fashion, they leaned into the unknown, embracing novelty, allowing it to imbue their work with new qualities and energy. In so doing, they reinvigorated art and created masterful works that continue to enable us to see the world in a whole new light.

"For me, a landscape does not exist in its own right, since its appearance changes at every moment; but the surrounding atmosphere brings it to life - the light and the air which vary continually. For me, it is only the surrounding atmosphere that gives subjects their true value."
- Claude Monet
The Spectrum of Expression: Color and Light in Impressionism
By : Ivy Newport
Painting with Light: How to Incorporate Natural Light in Your Artistic Process

If you aim to play with the nuances of natural light in your paintings, what better place to turn for inspiration than the Impressionists? By utilizing some of the strategies that they employed as they revolutionized the art world, you will begin to train your eyes to perceive color and light with greater acuity. There is no better place to start this process than by getting outdoors.

En plein aire painting was the Impressionist's bread and butter. Part of their process of distancing themselves from the dogma of the Paris Salon was to reject the idea that only historical subjects were worthy of fine art. To them, landscapes and genre scenes (captured moments of contemporary life) were not only legitimate but desirable themes for their work. Let’s lean into these methods, which are now tried and true, to assist us in incorporating natural light into our work.

The Impressionist Playbook

The Impressionists' techniques, while innovative, were also highly practical. Even if we don't aim to replicate their works, understanding and experimenting with their methods can significantly enhance our ability to create vibrant and dynamic pieces. The efficiency and effectiveness of their techniques can serve as a source of inspiration, pushing us to explore new artistic territories.

First, the Impressionists knew they wanted to go out into the world and capture moments that contained atmosphere, energy, and emotions that were personally meaningful. To accomplish this, they recognized the need for paint that would be both portable and maximally effective in representing the mercurial nature of outdoor light. Thus, they limited their palettes and primarily used opaque colors.

Next, they delved into emerging scientific discoveries about how we view color. They implemented this new knowledge by employing ‘broken brushstrokes,’ which are rapid, comma-shaped strokes of pure color that are visible and not blended, creating texture and depth in their paintings. This process generates the effect of ‘optical blending,’ where the viewer's eye blends the colors, creating a vibrance and reflectivity that can’t be achieved by pre-mixing colors on a palette. These techniques and their use of complementary colors were crucial elements in their revolutionary approach to capturing light and color.

With these preparations in place, the Impressionists were ready to seize the power of the moment. They found that the best way to do this was to immerse themselves in the world, observe their surroundings, decipher the mood (or what emotions the situation evoked), and paint what they saw. They attempted to complete their piece alla prima or in a single sitting, capturing the immediate impression of the scene. This process provided the painting with immediacy and atmosphere and allowed them to capture the fleeting effects of natural light.

"Work at the same time on sky, water, branches, ground, keeping everything going on an equal basis... Don't be afraid of putting on color... Paint generously and unhesitatingly, for it is best not to lose the first impression."
- Camille Pissaro

From Ideas to Practice

Armed with the techniques of geniuses, it’s time to take action. A good starting point is to decide on location. Think of a place outdoors that inspires you. This could be a local cafe, a park, the beach, the forest, or your own backyard. You may want to do a recon mission to observe what time of day has the ideal conditions for what you’re envisioning. Make sure to select a spot you will enjoy posting up in with great subjects and lighting for you to practice with.

Once you have selected a location, utilize your choice to help choose an appropriate color palette. Remember to keep it portable by limiting what you bring, and try out the Impressionist method of sticking to pure color. Consider whether you want to emphasize harmony or contrast, and let this help guide your choices.

Pick your time and day, and go for it! Sample using short, quick brushstrokes and aim for a general feeling rather than precision or realism. Move fluidly and attempt to finish the piece within a few hours (choose your canvas size accordingly!). Remember that you can revisit the scene as many times as you like. Explore painting at different times of day, noting how much the light changes, and play with different angles, stroke lengths, and styles. Remember optical blending, and try letting your colors touch but not merge. However, most important of all, enjoy!

The Takeaway

The Impressionists popularized the notion that how we perceive something is a product of how we feel, not just how we see. They also played with the fact that our eyes can deceive us.  They employed this knowledge to make beautiful, evocative, personalized art expressing a mood and atmosphere. They did this boldly without apology, even though what they created was against the grain for their time and place.

As artists, we can not only adopt the techniques of the Impressionists but also embrace their fundamental principle of focusing on our perception. This shift in focus can broaden our vision and open up new and exciting artistic possibilities. The more we direct our attention, the more effective the energy we invest, and the more we can create in our chosen light.

"There is only one true thing: instantly paint what you see."
- Edouard Manet
Painting with Light: How to Incorporate Natural Light in Your Artistic Process
By : Ivy Newport
WORD OF THE MONTH
Illumination

The dictionary definition of "illumination" primarily refers to the action of lighting something up, making it bright or more visible. It can also signify intellectual or spiritual enlightenment, shedding light on previously obscure areas of thought or knowledge.

So, how does this word relate to us and our theme(s) this month?

ART AND LIGHT

• Visual Clarity: In art, illumination is the literal brightening of spaces, which allows colors to become vibrant and details more discernible. This action enhances how we perceive and interact with artworks, impacting our visual and emotional experiences.

Revelation of Forms: The strategic use of light in painting or photography reveals forms and textures, offering a visual depth that can be studied and appreciated. Each beam of light and its interaction with surfaces can turn ordinary scenes into spectacular displays of light and color.

INTELLECTUAL EXPLORATION

• Enhanced Perception: Studying how light affects subjects helps us understand spatial relationships and the physics of color. This knowledge is crucial for accurately depicting the interplay of light and shadow, essential in creating a realistic or desired atmospheric effect in our works.

• Creative Enlightenment: Illumination in the intellectual sense involves us gaining insights into new techniques, historical contexts, and theoretical aspects of art. This enlightenment can lead to innovation and a deeper connection with our work.

OBSERVATIONAL SKILLS

• Attuned Observation: As artists, it’s important to train ourselves to observe how light shifts during the day and how these changes affect colors and moods. This skill is vital for capturing the essence of the moment and enhances our ability to depict life with authenticity.

• Capturing Transience: Light is transient, and mastering its fleeting qualities can be a significant challenge. Those who excel in this can create works that not only illuminate the subject matter but also evoke the ephemeral nature of life itself. Practice and quiet observation are key.

In the context of our themes, "illumination" beautifully encapsulates the profound interaction between light and artistic expression. It speaks to both the physical act of making art visible through light and the enlightening journey of artistic discovery, bridging the gap between seeing and understanding, the visible and the insightful.

"In the right light, at the right time, everything is extraordinary."
- Aaron Rose
Word Of The Month
By : Ivy Newport

Creative Intuition & Writing Prompt

Let’s tap into our creative intuition and do some self-reflective work inspired by our theme. Below you will see our month’s Oracle/Tarot card spread. But fear not, if you are not one drawn to using oracle or tarot cards, no worries, just use the accompanying reflective questions as writing prompts for your journals!

USING THE SPREAD

- Shuffle your deck while focusing on your intentions and the questions posed for each card.

- Draw three cards,, laying them out in the order of Observation, Color, and Illumination.

- Reflect on each card,, considering both the symbolism of the card itself and its position in the spread. Take time to journal or meditate on the reflections and insights you gather.

This spread is designed to help you delve deeper into the nuances of how you see and interact with the world around you, using the metaphorical lenses of observation, color, and light. It's an excellent tool for us creatives looking to enhance their perceptual and emotional awareness through self-reflection.

download creative intuition & writing prompt

download creative prompt
“Don’t you know yet? It is your light that lights the worlds."
- Rumi
Rainbow Light Meditation
WITH RACHEL HILLARY

This meditation was inspired by an experience I had recently, and how beautiful, rejuvenating, and blissful I find this rainbow energy to be. It feels important for these times as we all collectively shift into a new earth and a new age.

There is about 4-5 mins of just music for you to sit with the energies during this meditation, then some gentle words of suggestion to guide you out, should you choose - or you can let the music fade out and bring yourself back. 

As always my meditations are a little trippy, but if it's your cup of tea, enjoy the ride! 

I hope you enjoy.

lots of love,
Rachel

Rainbow Light Meditation
By : rachel hillary

download more meditations and connect with Rachel here...

Monthly
Affirmation

Each month we will have a positive affirmation. I recommend you print out this affirmation and put it in your sketchbook or somewhere in your studio. Recite the affirmation out loud each time you show up to create. Saying words aloud is powerful and can begin to re-write some of our own limiting beliefs or calm our fears. Try it now…

Color Palette of the Month

In this edition, we immerse ourselves in the luminous palette of our master artist, Joaquín Sorolla, whose exquisite renderings of Spanish light and landscape resonate deeply within the colors we’ve selected to highlight our theme of color and light.

Azure blue and sea foam green mirror the vibrant skies and gentle waters that dominate Sorolla's seaside scenes, capturing the essence of the Mediterranean's radiant atmosphere. Sunlight yellow and coral orange reflect the vivid intensity of the Spanish sun and the lively details of local attire and flora, bringing warmth and energy to our palette. These bright, engaging colors are balanced by sandy beige and crisp white, which recall the sun-drenched beaches and the light-infused fabrics that flutter throughout Sorolla's works.

Together, these colors do more than just evoke the aesthetic of Sorolla’s paintings; they invite us to explore the brilliant interplay of light and color that he so masterfully captured. This palette not only honors Sorolla's artistic legacy but also enriches our own creative expressions, inspiring us to observe and portray our world with renewed vibrancy and insight.

"Color is a power which directly influences the soul."
- Wassily Kandinsky
Color Palette of the Month
By : Ivy Newport
Master Artist Guide
Joaquín Sorolla

Welcome to our exploration of the master artist Joaquín Sorolla, a luminary of Spanish Impressionism renowned for his extraordinary ability to capture the essence of light and color through keen observation. Sorolla's evocative paintings transport viewers to sun-drenched shores, bustling streets, and intimate family scenes with unparalleled vibrancy and vitality.


At the heart of Sorolla's mastery lies his profound connection to the natural world and his relentless pursuit of truth in representation. Through meticulous observation, he honed his skills in capturing the fleeting nuances of light as it dances across landscapes, illuminates figures, and transforms ordinary scenes into extraordinary visual narratives.

“I could not paint at all if I had to paint slowly. Every effect is so transient, it must be rapidly painted."
- Joaquín Sorolla

Joaquín Sorolla: Master of Light, Color, and Observation

Early Life and Education

Joaquín Sorolla y Bastida, born in 1863 in Valencia, Spain, emerged from humble beginnings to become one of the most celebrated Spanish painters of his time. Orphaned at a young age, Sorolla found solace and expression in drawing, which led to his education at the Academy of San Carlos in Valencia. He further honed his skills in Madrid and then Rome, absorbing the classical and modern influences that would later permeate his distinctive style.

Artistic Evolution and Achievements

Upon returning to Spain, Sorolla settled in Madrid, where he began his career with a focus on social subjects and historical themes, typical of the academic norms of the era. However, his true passion—and what he would ultimately be renowned for—was capturing scenes of daily life and the sparkling seas of the Spanish coast. His work was characterized by a vibrant realism, a product of his extraordinary ability to harness light and color through masterful observation.

Sorolla’s breakthrough came with the painting "Another Marguerite" (1892), which was awarded a gold medal at the National Exhibition in Madrid and first prize at the Chicago International Exhibition, where his work began to gain international acclaim.

Time for a Bathe

Joaquin Sorolla, 1909

Mastery of Light and Color

Sorolla's reputation as a "painter of light" was not incidental. His most impactful works are outdoor scenes, where he applied vigorous, fluid brushstrokes to capture the ephemeral qualities of light with scientific precision and poetic sensitivity. His approach to color was similarly nuanced, with a palette that evolved to include bright, saturated hues, reflecting the luminous intensity of the Mediterranean sun. This play of light and color is most evident in his beach scenes, where light seems to dissolve forms into glimmering patches of color, creating a sense of movement and life that is almost palpable.

The Importance of Observation

Sorolla’s ability to depict light and color so vividly was grounded in relentless observation. His paintings show a deep understanding of how light and shadow work in harmony to define shapes and create atmosphere. Sorolla often painted en plein air, working quickly to capture the fleeting effects of sunlight, which he famously described as "the most transient thing in the world." Herein lies a critical lesson for modern artists and creatives: the value of observing and capturing the moment as it is, understanding that observation itself can be a medium through which the essence of a subject is revealed.

View of Avila

Joaquin Sorolla, 1912

Legacy and Inspiration

Sorolla continued to paint until his health declined, leaving behind a vast oeuvre that continues to inspire and teach. His dedication to capturing natural light and color influences contemporary artists who seek to incorporate similar elements into their own work. Sorolla’s technique of observing natural scenes and translating them into vibrant, energetic canvases offers valuable insights for modern creatives about the power of observation and the dynamic interplay between light and color.

Conclusion

For artists today, Joaquín Sorolla y Bastida stands as a towering example of how keen observation, coupled with a mastery of light and color, can elevate the mundane to the extraordinary. His work encourages modern creatives to look closely, paint passionately, and never underestimate the power of light as both a literal and metaphorical source of vision and inspiration.

“My only ambition was to create an honest picture that would interpret nature as she really is, as she ought to be seen."
- Joaquín Sorolla

Enjoy a slideshow of Joaquín Sorolla’s work...

Here’s a Pinterest board full of HIS work to inspire you!

Master Artist Guide - Joaquín Sorolla
By : Ivy Newport
Understanding Value: The Foundation of Color and Light in Art

We can’t discuss color and light without touching on the importance of value. In the realm of visual arts, the concept of value—defined as the lightness or darkness of a color—is fundamental in shaping the way we perceive and create images. Value is crucial not only for defining form but also for conveying mood and depth, making it an essential component in the successful execution of any artistic piece. Let’s explore the importance of value in relation to color and light, offering insights into how we can effectively utilize this element to enhance our work.

The Role of Value in Artistic Perception

Value serves as the backbone of visual perception in art. It helps to create a structure within a painting or drawing by establishing a range of tones from light to dark. This range is what allows us to depict three-dimensional forms on a two-dimensional surface. Without variations in value, a painting lacks depth and dimension, appearing flat and unconvincing.

For instance, in the chiaroscuro technique, which was mastered by artists like Caravaggio and Rembrandt, dramatic contrasts between light and dark values are used to achieve a sense of volume and to guide the viewer’s focus to particular areas of the composition. This manipulation of light and shadow not only highlights the importance of value in defining forms but also in setting the emotional tone of an artwork.

Self portrait

By Rembrandt, 1658

Value and Color Theory

While value is often discussed in terms of black and white, it is equally important when working with color. Every color has an inherent value. For example, yellows tend to have a high (lighter) value, while blues and dark reds usually possess a low (darker) value. Understanding these properties allows artists to create more dynamic and harmonious compositions.

When artists disregard the value aspects of color, they risk creating works that can be visually confusing or lacking in depth. By mastering values within different hues, artists can ensure that elements within their paintings are easily distinguishable and aesthetically balanced.

Practical Applications in Art

To practically apply value in art, consider these approaches:

Value Sketching:

Before painting, create a grayscale sketch focusing solely on value. This practice helps in planning out the tonal structure without the complexity of color, ensuring that the final composition will have the desired impact.

Contrast and Emphasis:

Use value contrasts to direct viewer attention. High contrast areas tend to draw the eye, while low contrast zones can act as restful spaces within the artwork, providing a visual break for the observer.

Value in Contemporary Art: 

In contemporary art, understanding and manipulating value is as crucial as it was in the past. Modern artists, like their predecessors, use value to guide composition, emphasize themes, and express emotions. Whether through subtle shifts or dramatic contrasts, the strategic use of value continues to be a powerful tool in the creation of visually compelling and emotionally engaging art.

Conclusion

When aiming to enhance our technical skills and deepen the impact of our work, a thorough understanding of value in relation to color and light is indispensable. It not only improves the realism and depth of our art but also enriches the viewer's experience by providing clarity and emotional depth. As such, value remains a foundational element of art education and practice, essential for both the novice and the seasoned professional.

By studying and experimenting with value, we unlock new possibilities in our work, turning simple images into profound statements about the world we observe, interpret, and imagine.

Understanding Value: The Foundation of Color and Light in Art
By : Ivy Newport
Sketchbook Explorations:

Here are three sketchbook exploration ideas that tie beautifully into the themes of observation, light, and color, inspired by Joaquín Sorolla’s techniques. These exercises are designed to help us deepen our understanding of these elements and refine our skills.

Exploration 1
Dynamic Light Studies

Objective:

To enhance the ability to capture changing light conditions and understand their impact on color and form.

Activity:

- Choose a single still-life subject to sketch at different times throughout the day. Set up this still life near a window in natural light. (This could be a simple coffee cup on a table or a small vase or other everyday object.)

- Create quick sketches capturing the morning, midday, and evening light. Note how the colors and shadows change with the sunlight's angle and intensity.

- Use a limited palette to focus more on value changes rather than getting distracted by color complexities.

Reflection:

- Observe how the changing light alters the mood and visual perception of the same subject.

- Consider how Sorolla might have approached these varying conditions and attempt to employ some of his brisk, impressionistic techniques. Use a medium that is accessible to you and easy to use without much fuss such as colored pencils, watercolor or gouache.

Exploration 2
Color Interaction Diary

Objective:

To observe and record the interplay of colors in natural settings, developing a keener eye for color harmonies and contrasts.

Activity:

- Carry your sketchbook with you as you go about your day. Pause to note interesting color interactions you observe—these could be in nature, urban environments, or interiors.

- Use colored pencils, pastels, or watercolors to make quick color studies on the spot, trying to match the colors as closely as possible.

- Add annotations about the light source, time of day, and your own emotional response to these color interactions.

Reflection:

- Reflect on how different color combinations affect the overall atmosphere of a scene.

- Analyze which combinations are most striking or harmonious and why.

Exploration 3
Observational Walks

Objective:

To develop a deeper connection with the environment through focused observation, enhancing the ability to translate these observations into artistic expressions.

Activity:

- Take a walk in a familiar or unfamiliar environment with the specific intent of observing interactions of light, shadow, and color.

- Choose a theme for each walk, such as shadows, reflections, or the way light plays on different surfaces.

- Sketch quickly and loosely, capturing fleeting moments and impressions rather than detailed scenes. Use a broad, gestural style to keep the sketches dynamic and fluid.

Reflection:

Reflect on the sensory experiences of each walk and how your chosen theme influenced your perception and artistic choices.

- Think about how these exercises in observation could influence more detailed works or larger projects.

These sketchbook explorations encourage us to engage deeply with our surroundings, much like Sorolla did, using our sketchbooks as a tool to better understand and capture the ephemeral qualities of light and color.

Monthly Art Lesson
Let the Light In
With Ivy Newport

I’m thrilled to welcome you to this pastel portrait class! We will explore the radiant world of pastel portraits, focusing on the transformative power of light and color.

Please use the pastels you already have or consider buying a set that fits your budget. You don’t need the exact pastels I use or as many as I have accumulated over time. The key is to have a good range of values and color temperatures. Try to match your colors to my final palette, but feel free to improvise!

Have fun and enjoy the creative journey!

studioworks podcast
issue sixty-six

You can also listen to this month’s issue of the Studioworks journal. I find I love listening to books, podcasts and music while I draw, paint or go on a long walk. Enjoy.

issue sixty-six
By : Ivy Newport
inspiration: curated

One of my favorite things to do is to curate inspiration. From Pinterest boards to books, resources, playlists and more - I love to share anything that might facilitate learning, expansion, and sparks of curiosity! Being an artist, we naturally crave these things so here are some of this month’s picks from me to you.

books to discover & Enjoy

music playlist

I had so much fun curating this list. I hope you enjoy!!

pinterest board

recommended Studioworks classes

Here are just a few of our fantastic classes! I highly recommend checking them out if you haven’t already. Enjoy!